Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. In the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Geometric designs on pottery of the eighth century BC depict scenes from the Epic Cycle as well as the adventures of Heracles. Myths are also preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.Īside from this narrative deposit in ancient Greek literature, pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase paintings and the decoration of votive gifts and many other artifacts. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the Iliad and the Odyssey. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. These stories concern the ancient Greek religion's view of the origin and nature of the world the lives and activities of deities, heroes, and mythological creatures and the origins and significance of the ancient Greeks' cult and ritual practices. Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. Left-to-right, top-to-bottom: the birth of Aphrodite, a revel with Dionysus and Silenus, Adonis playing the kithara for Aphrodite, Heracles slaying the Lernaean Hydra, the Colchian dragon regurgitating Jason in the presence of Athena, Hermes with his mother Maia, the Trojan Horse, and Odysseus's ship sailing past the island of the sirens Part of a series on Erebus is based on the Greek God of the same name who was a descendant of the Chaos.Scenes from Greek mythology depicted in ancient art.Hermes described him as a hopeless person who liked to isolate himself. Contrary to what he said, Astraea said that his malevolence was inevitable rather than absolute, saying that it was something necessary to make the world a better place. When asked what justice was, he replied that absolute justice was an ideal, something that had to be reached and won, making possible the impossible.ĭue to the defeat of the Zeus and Hera Familias and the arrival of the Promised Time, he sought out the arrival of a new hero, causing chaos and working together with Alfia and Zald to prepare a great challenge for Orario. In addition, he wore a purple untied tie around his neck and a black glove on his left hand.Įrebus believed that true evil was to be hated by everyone and, as the God who presided over evil, he was determined to always be that way. He had a white shirt along with a jacket and pants, both black. Erebus had black hair with two cadet gray locks and gray eyes.
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